Feb 24, 2020 With a selection made, you can open the Bounce to Disk window by using Option + Command + B. From the top of the window, Bounce Source tells Pro Tools which output (s) to record. In this case, bouncing from the Main output on our Master Fader will ensure the entire song is included. Next, you can select file type, such as WAV or MP3. Mp3 Option Pro Tools 8 Pc, free mp3 option pro tools 8 pc software downloads. Music software for Mac or Windows to create audio with up to 128 audio tracks. Pro Tools includes 60 virtual instruments (thousands of sounds), effects, sound processing, utility plugins, 1 GB of cloud storage and 75 individual plugins. New in Pro Tools 10 is the ability to create 32 floating point audio files when recording, in addition to the 16 and 24 bit options that we are accustomed to. But what does this actually mean and what are the implications for your system?

Jon Connolly is the most sought-after Pro Tools instructor in the world. Having been with Avid since the company first started out as DigiDesign in the early ‘90s, he quickly became their Product Specialist in Los Angeles, offering Pro Tools installations, training, and support to major studios like Warner Bros., Universal, Capitol, The Village, Record One, Westlake, and more.

Today, Jon is a Pro Tools Master Instructor for Avid, travelling the world and training Pro Tools users of all levels. He also teaches at the world-renowned Berklee College of Music.

In this quick tip, he shows us how to use the “Bounce to Disk” function in Pro Tools!

Once you’ve finished recording and mixing a song in Pro Tools, you’ll need to be able to bounce out the entire project as a single stereo file. This is so you’ll have access to it as a single WAV or MP3 file for listening, uploading, sending to your client or a mastering engineer, etc.

Pro Tools has a very convenient Bounce to Disk option which lets you quickly and easily turn a whole session into a 2-track file. One of the first things to take into account is having a Master Fader in your project. Not only will this provide the output source for the bounce, but it lets you add some additional processing at the end, such as a limiter.

It’s important to know that Bounce to Disk requires a selection to be made which tells Pro Tools the start/end points for the bounce. You don’t have to make the selection across every track, however; one will work just fine. Start at the beginning of your project. Holding the shift key, click the end of the project to make a selection for bouncing.

With a selection made, you can open the Bounce to Disk window by using Option + Command + B. From the top of the window, Bounce Source tells Pro Tools which output(s) to record. In this case, bouncing from the Main output on our Master Fader will ensure the entire song is included.

Next, you can select file type, such as WAV or MP3. This part is pretty self-explanatory. If you choose WAV, you have the option of checking the Add MP3 box, which does just that! You can also adjust the bit-depth and sample rate.

For file format, you’ll want to make sure you use Interleaved. This means you’re bouncing the whole project as a single stereo file. You can also name the bounced file and choose where it saves. By default, Pro Tools sends it to a Bounced Files folder in the project. Finally, with Offline checked, Pro Tools bounces the song faster than realtime.

Congratulations, you made it.

Your mix is done and your song is officially finished. But how do you get it out of your DAW and into the world?

There’s one more hurdle to pass. It’s the last important step in your DAW: The bounce dialog.

In this article I’ll go through everything you need to know about bouncing and how to export audio properly in 5 of the best DAWs.

What is bouncing audio?

Bouncing (or exporting) is how your DAW turns your project into files on your hard drive.

The term bouncing comes from the analog era. The track count is a hard limit on tape machines.

But engineers and music producers could use their consoles to mix several tracks down to one to free up more recording.

The process was called “bouncing down.” The drawback was that the level of each of track would no longer be independent on the printed track.

But today, bouncing usually means writing the final mix of your song to a stereo audio file. It can also mean printing stems of all the instruments in your mix or exporting individual tracks for collaborative projects as well.

No matter how you bounce your project, you’ll have to know how to use your DAW’s bounce dialog to output your files properly.

The best export settings for mastering

You have to choose the right settings to make sure your bounce is ready for mastering.

Mp3 Option Pro Tools 10

No matter which DAW you’re using, here’s what you need to know.

Resolution

Don’t export your song to a lower resolution than the one you’re using in your project. If you choose a lower resolution, your DAW will have to convert your exported file to the target sample rate and bit depth.

Stick with what you have or choose 32-bit floating point if it’s an option.

The reason why has to do with…

Dither

Dither is a pretty technical subject. But when it comes to your tracks, all you need to know is when to apply it. Here’s our guidelines:

Don’t change file types unless you absolutely have to. If for some reason you need to downsample, be sure to dither during conversion.
Save dithering for when your files are headed outside of your DAW. Dither only once—during export.
If you’re sending your files for mastering, leave dithering out if you can export 32-bit float files. In this case, the mastering process will take care of dither for you. When you export anything other than 32-bit float, you have to dither. That includes when you bounce files that are the same bit-depth as the ones you recorded.

Hot tip: Your DAW may have the option to create AIFF or WAV files while recording. Both are lossless formats, so there’s no sound quality difference between the two. These formats are best for uploading during the mastering step. So stick with these formats for your bounces as well.

Normalize

Make sure to NOT normalize the files you export for mastering. Normalizing will increase the gain of your file a lot—not what you want for keeping good headroom for mastering.

Channel Width

Make sure to select interleaved if you want a traditional stereo bounce file.

Use multiple mono if you’re exporting tracks one by one.

Offline vs. Realtime Bounce

Realtime bounce writes the audio file to disk at the same speed as playback in the DAW. This method is slow but safe and reliable.

Offline bounce renders the export file much faster than real time. This can save you a lot of time, especially if you need to bounce many tracks individually.

In some cases, offline bouncing may cause issues with CPU heavy plugins or intricate automation. If you’re worried about offline mode having an effect, stick with realtime.

Now that you know the basics here’s how to bounce your audio from your DAW.

Pro Tools 10 Mp3 Option

Bouncing in Logic

How to bounce in Logic Pro X

Open the bounce dialog by selecting File > Bounce > Project or or by using the key command ⌘B on Mac or CTL+B on Windows.
Select the export range by selecting regions, turning on cycle mode and setting the locator positions, or entering the Start and End Values.
Choose whether to bounce in realtime or offline mode.
Make sure your settings are correct for mastering.
Click “Bounce” to begin your export.

Pro Tools Mp3 Option